Hermès Heritage - Part Three: In Motion | Hermès
Hermès Heritage - Part Three: In Motion
An exhibition held in Shinsegae Centum City Culture Hall
from 29th March to 10th April 2019.
Shinsegae Centum City Culture Hall, 9th Floor.
35 Centum Nam–Daero, Haeundae-Gu, Busan
Monday – Thursday From 11am to 8pm
Friday – Sunday From 11am to 8.30pm
A Unique Balance
Hermès Heritage is a cycle of exhibitions that offers an open dialogue between objects from the Émile Hermès collection and Hermès’ archives and contemporary collections.
The In Motion exhibition is the 3rd chapter of the cycle. In some ways, it is the perfect evocation of Hermès’ journey, which began in the 19th century with saddlery and harness-making, echoing the “roaming mood” celebrated by Charles Baudelaire in 1857. Whatever the chosen destination, what counts is the movement, dreamed or real, and the attention given to the traveller.
The World Of Hermès
With Hermès, the carriage is a world that one is tempted to drape in ornate silk or sublime leather.
The exhibition opens with Jeu des omnibus et dames blanches the first scarf to be designed by the house in 1937. Inspired by a game that was popular around 1830, it evokes the first public transport in Paris that commenced in the 1820s.
Harnessed to one or two goats, a child’s carriage, a miniature of a sociable carriage, perfectly illustrates the combined expertise of the saddler-harnessmaker and the coachbuilder.
Émile Hermès' Travels
In his cabinet of curiosities, Émile Hermès accumulated a veritable memoir of movement. Thus, at the shifting frontier of a world in constant motion, Faubourg Saint-Honoré becomes a stationary testimony to the irresistible aspiration to travel. The seven-league boots of an anonymous postilion rider tell the story of horse-drawn carriage journeys of a bygone era, but they are in fact firmly immobile accessories, designed to protect the legs of stagecoach drivers.
Movement Is Elegance
The requirement for comfort is Hermès’ true contribution to the history of modern movement. The emphasis throughout this memoir of travel is firmly on the need to feel comfortable and for everything to be beautiful. The motorcycle one-piece in lambskin is matching helmet and gloves and Le Flâneur d’Hermès brilliantly meets the modern cyclist’s technological demands and their quest for elegance. When everything is moving around you, there is nothing more essential than an appetite for one’s own movement.
Hermès challenges its own ingenuity to invent tools that combine comfort and concision, adapted to everyday objects which the traveller keeps close at hand when on the move. Where the simple wicker of country escapes forms a line of references that embraces the iconic Bolide bag, symbol of Hermès’ responsiveness to the changing needs of customers. It appeared at the same time as the motor car and is one of the first travel bags that Émile Hermès fitted with a zip fastening, which was easy to use.
The Immobile Journey
Is it the nostalgia for journeys past, or the desire to discover unknown lands? Even when sedentary, Hermès travellers like to surround themselves with objects which evoke imminent departures or immediate returns. What could be more natural, here, than to wear the Hermès watch around the world. Poised in their ready-to-leave, the Hermès élégants cherish this world that inspires dreams
and awaits discovery.